http://www.rssboard.org/rss-specification 720 XTF Search Results (subject=Cleveland (Ohio) -- Societies, etc.;subject-join=exact;smode=simple;brand=default) http://catalog.wrhs.org/collections/search?subject%3DCleveland%20(Ohio)%20--%20Societies,%20etc.;subject-join%3Dexact;smode%3Dsimple;brand%3Ddefault Results for your query: subject=Cleveland (Ohio) -- Societies, etc.;subject-join=exact;smode=simple;brand=default Thu, 01 Jan 1970 12:00:00 GMT Al Sirat Grotto (Cleveland, Ohio), 1968. Mystic Order of Veiled Prophets of the Enchanted Realm. Al Sirat Grotto (Cleveland, Ohio) http://catalog.wrhs.org/collections/data/rdf/VF_subject27.xml Miscellaneous materials relating to Al Sirat Grotto (Cleveland, OH), including: The Black Fez, official publication of Al Sirat Grotto, from Feb. 1968 (Vol.44 No.12) http://catalog.wrhs.org/collections/data/rdf/VF_subject27.xml Mon, 01 Jan 1968 12:00:00 GMT Carl D. Friebolin Papers. Friebolin, Carl D. http://catalog.wrhs.org/collections/view?docId=ead/MS3309.xml Carl D. Friebolin (1878-1967) was a United States bankruptcy referee, 1916-1967, and one of the leading civic leaders of Cleveland, Ohio. A supporter of the reforms of the progressive era, Friebolin served as state representative (1911-1913) and senator (1913-1914), and as judge of Cuyahoga County Common Pleas Court. Friebolin was president of the City Club of Cleveland, the City Club Forum Foundation, and the Cleveland Law Library, as well as a trustee of Western Reserve University, where he taught bankruptcy law from 1934-1959. He was perhaps best known in Cleveland as the author of the Anvil Revue, a satiric look at the Cleveland scene put on yearly by the City Club of Cleveland. The collection consists of personal and official correspondence; speeches re: bankruptcy, citizenship, politics, education, political and civic leaders (e.g. Newton D. Baker); docketed bankruptcy decisions and orders, including related decisions, affidavits, evidence, expert opinions, debtor's petitions, and related bankruptcy... http://catalog.wrhs.org/collections/view?docId=ead/MS3309.xml Wed, 01 Jan 2014 12:00:00 GMT Gospel Worker Society Records. Gospel Worker Society http://catalog.wrhs.org/collections/view?docId=ead/MS4977.xml The Gospel Worker Society (founded in 1895 by Reverend William Brunner Musselman) is a nondenominational Christian missionary ministry designed to reach people outside of an established church community, and to encourage them to accept Jesus Christ as their personal Savior. This goal was reached by holding missionary meetings, daily colportage work, tent meetings and saloon work. In 1896 two branches of the Home Missionary Society were established, one being for men and one for women. In 1897 the Women's Home Missionary Society was changed to the Gospel Worker Society, and has remained the Society's name since. Although it started in Annandale, New Jersey, the Gospel Worker Society soon spread to various towns, including Williamsport, Pennsylvania. In 1907 the Gospel Worker Society (as well as their publishing company: the Herald Publishing House) moved their headquarters to Cleveland, Ohio. They resided in a fifteen-building complex on the corner of West Seventh and Jefferson Avenue. In order to stop distrib... http://catalog.wrhs.org/collections/view?docId=ead/MS4977.xml Wed, 01 Jan 2014 12:00:00 GMT Women's Art Club of Cleveland Records. Women's Art Club of Cleveland http://catalog.wrhs.org/collections/view?docId=ead/MS4976.xml The Women's Art Club of Cleveland was established in 1912 in the Gage Gallery as the first exclusively female art organization in Cleveland, Ohio. The club formed when the Bohemian Club split into a men's club, The Arts Club (later The Cleveland Society of Artists), and a women's club, The Women's Art Club of Cleveland. The mission of the club was to bring female artists together in order to facilitate community and higher artistic ideals. Also, the club wanted to advance the artistic interests of Cleveland through educational programs and exhibitions of members' artwork. Further, they sought recognition, respect, and support based on their exhibitions from the Cleveland community with an interest in the city's cultural growth. Women became members by filing applications and being voted in by the club. The four classes of membership (active, associate, sustaining, and life) were based on whether or not the woman created artwork. Active members created artwork, but associate members did not. Associate members ... http://catalog.wrhs.org/collections/view?docId=ead/MS4976.xml Wed, 01 Jan 2014 12:00:00 GMT